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There was a charred element - ash and what looked like burning coal - which emulated how my body had been charred, broken, chopped to bits and put back together. The first piece was “Trial By Fire” at MINT Gallery in 2019.a self-portrait that people could walk into. Initially, I was annoyed by the suggestion, but eventually decided to rip that Band-Aid off and do something. I felt that incorporating myself into my work created a limitation for people - who deserved to experience the art in a very personal way.Īfter the accident, so many people said they couldn’t wait to see how it would influence my work. Have immersive pieces like “Letterale” changed your mindset and/or facilitated healing in the wake of the car accident?Ī: When I first started making work, it was not supposed to be about me at all. Q: Your parabolic string installations have a celestial, otherworldly quality that evokes a feeling of infinite possibilities. Mosholder reflected on her role as a cultural ambassador and remembered the muse who inspired her transcendence over tragedy. She and Sirlin are exhibiting together, under the umbrella title Borders of Light and Water. It came as no surprise to anyone familiar with the complex webs she has woven - from Woodruff Park to Sydney, Australia, to Atlanta’s Atlantic Yards, where her most recent commission for Microsoft will be unveiled at the end of May.ĪrtsATL caught up by phone with the hard-working artist in Venice, where she was installing her piece “Letterale” at Palazzo Bembo. Last year she was invited to present at the European Cultural Centre’s Personal Structures exhibit coinciding with the Venice Biennale. But then, I decided I had two choices: I could either stay in that bed and rot, or I could get back up top and go to work.”īy any measure, her journey since then has been charmed. “It felt like a double whammy because I was dying and nobody thought I was going to make it. “Initially, learning about Justin’s death depressed the hell out of me and I lost my drive,” she says. Nurses, midwives, family doctors and specialists all became champions of vaginal deliveries and that ended up lowering the C-section rate to just under 30 per cent from 33 per cent.She also suffered the loss of her beloved friend and colleague Justin Rabideau, then-director of the Zuckerman Museum of Art, who died in October 2018. In Richmond, which used to have a higher C-section rate, health professionals collaborated to do things differently. But she said practices often become ingrained until there is a specific mission to do things differently. Society of Obstetricians and Gynecologists, said she can’t speak to the Fraser Health scenario because she delivers babies in Richmond. to highlight successful strategies to promote vaginal birth.”ĭr. This workshop brought together teams of practitioners from five hospitals throughout B.C. “In addition, as part of our work to reduce the C-section rate, we recently hosted a provincial workshop where people shared learnings to improve care and reduce the number of C-sections. This advertisement has not loaded yet, but your article continues below. Vancouver Sun Run: Sign up & event info.